Friday, April 30, 2010

Analysis

So the semester's winding down and that means final papers. For my music theory class, Structure, Context, and Style, I have to analyze two pieces and then compare and contrast those pieces. So in order to make things somewhat easier for us we are allowed to analyze the piece we did for our analysis presentations a couple of weeks ago. By the way in case you forgot that was this piece and yes, we did get an A on our presentation. For the presentation I analyzed the third movement but for my paper I have to choose another movement. So naturally I chose the second movement for its abundance of trombone solos!!!

Now since we have analyze two pieces for this paper we were basically allowed to choose anything we wanted for the second piece so I chose the second track from this album. I'm not really sure why I decided on this song other than it's similar in length and features a harp, which if you're familiar with Scheherazade and its violin solos, is also a similar feature. Other than that, I'm not too sure how they compare. I'll let you know.

So for the next 2+ weeks I'll be looking at Sound, Harmony, Melody, Rhythm, and Growth (movement & shape) for these two pieces and constructing a 35-45 page paper about it. I should probably get started.

Today's T: Tenacious D on black

Saturday, April 24, 2010

Back with some actual music


Above is a video I made featuring my first recording project for Advanced Multitrack Production. Blogger won't let you upload mp3s, but they will let you upload videos featuring the greatest video transitions known to Windows Movie Maker. So take a look and listen.

The main jist of this project was to capture a live performance onto multitrack tape. So there are no overdubs or punch ins featured in the recording, its one continuous take. I used about 18 microphones for the recording and they went straight to 2" tape.

The other cool thing about this project is that it was mixed down onto 1/4" tape meaning that it only reached the digital domain when it was burned to CD. Up until that point it was completely analog, which is cool. That also means that the signal processing (equalization, compression, gating, and some reverb) were done with outboard gear, not on a computer.

I know I haven't been to consistent with this blog but stayed tuned because I'm comin back baby!

Today's T (Actually a polo): Maroon with white stripes